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In the suburb of , a former socialist‑era steel town, they visited a bicycle co‑op run by a group of 20‑somethings who restored vintage Polish Romet bikes. The co‑op doubled as a social hub where members swapped stories, taught coding workshops, and organized weekly “retro‑ride” evenings—cycling through the city while listening to 80‑s synth‑pop on portable speakers.

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Kailena’s crew was commissioned to create a that would be projected onto the Cloth Hall . The design combined the Lublin folk pattern of interlocking triangles with the modern iconography of emojis, symbolizing the dialogue between heritage and internet culture. Sybil filmed the time‑lapse: from blank wall to a riot of color, the mural becoming a beacon for the festival’s opening night.