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“When you’re naked on a scooter, you feel every grain of wind,” Lars says. “And when you stop among the sunflowers, looking out at the Atlantic, you realize clothes are just stories we tell ourselves. The flowers don’t wear shirts. Why should we?”
The film's most striking sequence begins with a celebration of art and the human form.
From that day on, Te became a regular member of the Sunflower Scooters. She continued to ride her scooter, explore the outdoors, and enjoy the simple pleasures in life - all while surrounded by like-minded individuals who encouraged her to be herself.
“When you’re naked on a scooter, you feel every grain of wind,” Lars says. “And when you stop among the sunflowers, looking out at the Atlantic, you realize clothes are just stories we tell ourselves. The flowers don’t wear shirts. Why should we?”
The film's most striking sequence begins with a celebration of art and the human form.
From that day on, Te became a regular member of the Sunflower Scooters. She continued to ride her scooter, explore the outdoors, and enjoy the simple pleasures in life - all while surrounded by like-minded individuals who encouraged her to be herself.
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