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In Must Love Dogs (2005), the titular condition is a filter. But the old dog (a retired rescue) forces Sarah Jessica Parker’s character to admit she has not dated since her divorce—the dog is the artifact of that failed union. Romance becomes possible only when the new suitor accepts not just the dog, but the failure it represents.

Here is what makes these storylines so profoundly moving when written well:

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In Must Love Dogs (2005), the titular condition is a filter. But the old dog (a retired rescue) forces Sarah Jessica Parker’s character to admit she has not dated since her divorce—the dog is the artifact of that failed union. Romance becomes possible only when the new suitor accepts not just the dog, but the failure it represents.

Here is what makes these storylines so profoundly moving when written well: