The (MS-20EX) uses the resonant filter’s self-oscillation to create a cutting, aggressive tone. "Polysix Bass" is fat, round, and sits perfectly in a mix without overpowering.
Basses
| Feature | Korg Nautilus | Yamaha MODX/Montage | Roland Fantom | |--------|--------------|----------------------|----------------| | | 9 | 2 (AWM2 + FM-X) | 3 (Zen-Core + V-Piano + SuperNATURAL) | | Piano realism | Excellent (SGX-2) | Very good (CFX, Bösendorfer) | Good (V-Piano) | | Virtual analog | AL-1, MS-20, Polysix | Limited (only via FM or samples) | Zen-Core (deep but menu-divey) | | FM synthesis | MOD-7 (very deep) | FM-X (8 operators, great) | Limited (via Zen-Core) | | Physical modeling | STR-1 (plucked strings) | None | SuperNATURAL Acoustic | | Ease of editing | Touchscreen, but deep menus | Touchscreen + knobs | Large screen + dedicated knobs | | Factory patch count | ~2,500 programs | ~2,000 | ~4,000 | korg nautilus patches
: Features "found percussion," prepared pianos (objects placed between strings), and rare world instruments. aggressive tone. "Polysix Bass" is fat