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Tilda
Many works highlight the "primal bond" of maternal love as a source of survival against extraordinary odds.
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The ultimate cinematic depiction of the devouring mother—even though Norma Bates is dead. Through voice, the preserved corpse, and Norman’s fractured psyche, Hitchcock externalizes the internalized, controlling mother. The famous shower scene is not just a murder; it is the mother’s jealous rage against any sexual rival. Cinema makes the mother a haunting, omnipresent visual and auditory force. Many works highlight the "primal bond" of maternal
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