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famously said, "We have to be visible. We should not be ashamed of who we are." Marsha P. Johnson added, "I didn't want no credit. I just wanted to be me."

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Galleries focusing on diverse body types and inclusive representation often aim to highlight self-expression and body positivity. These collections typically include:

work to address these disparities and provide resources for the community. Advocates for Trans Equality famously said, "We have to be visible

Three years before Stonewall, in the Tenderloin district of San Francisco, a group of drag queens, trans women, and gay men fought back against police harassment at Compton’s Cafeteria. At the time, police routinely arrested anyone wearing clothing “not of their assigned sex.” When an officer grabbed a trans woman, she threw her coffee in his face—igniting a street brawl that shattered the windows of the precinct.

The relationship between the transgender community and LGBTQ culture is not one of simple inclusion, but of foundational co-creation. The modern movement for queer liberation was, in fact, launched into the public eye by trans women of color. At the Stonewall Inn in 1969, it was Marsha P. Johnson—a self-identified drag queen and trans activist—and Sylvia Rivera, a Latina trans woman, who resisted police brutality with a fury that ignited a global uprising. Their fight was not for "gay marriage" or "corporate rainbow logos"; it was for the right to exist in public, to walk the streets without harassment, for those who existed outside the narrow boundaries of gender normality. I just wanted to be me

Originating in the Black and Latine trans communities of New York City, ballroom culture gave us "voguing," "slay," and the concept of "chosen families."