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The evolution of Malayalam cinema is often categorized into three major waves:

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For decades, the face of this cinema was and Mammootty . But unlike their peers, these stars didn't play avatars; they played variations of the self . Mohanlal could be the charming drunk next door ( Thoovanathumbikal ), a manipulative psychopath ( Uyarangalil ), or a weary chef reconnecting with his daughter ( Bharatham ). Mammootty could be the oppressed school teacher in Vidheyan or the weary feudal lord in Ore Kadal . these stars didn't play avatars

Balan became the first talkie, overcoming technical hurdles to move beyond the silent era. a manipulative psychopath ( Uyarangalil )