Its high legibility and "Englishness" make it ideal for public information systems.
You will notice the "better" quality of Bliss 2 immediately in these scenarios:
From ExtraLight to Heavy, the family maintains a consistent rhythm that works equally well on massive signage and tiny smartphone screens.
Bliss 2 finds the "Goldilocks zone." Tankard refined the terminals (the ends of strokes) to be less abrupt. The diagonal stress in the ‘o’ and ‘p’ is more pronounced, giving the typeface a rhythmic flow that most modern neo-grotesques lack.