Apple operates differently. They do not chase volume; they chase awards and "prestige density." Despite having fewer subscribers than Netflix, Apple’s productions boast the highest budget-per-hour ratio. Killers of the Flower Moon (Scorsese) and Napoleon (Ridley Scott) are theatrical-quality films funded entirely by a tech company. Their focus on optimistic dramedies ( Ted Lasso ) and high-concept sci-fi ( Severance ) has carved a distinct niche.
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