Born into a family of artistic inclinations, Ama Shanthiye Sewanalle Mohidin Beg was destined for greatness. From a young age, he demonstrated an innate talent for music and dance, which was nurtured by his family and mentors. As he grew in stature, his passion for the performing arts only intensified, leading him to become one of the most revered figures in the Indian classical music and dance scene.
Mohideen Baig occupies a unique place in Sri Lankan cultural history. Born in India to a Hyderabadi Muslim family, he moved to Sri Lanka (then Ceylon) in 1932. Despite his personal faith, Baig became the most influential voice for Buddhist devotional music in the country.
Mohidin Beg’s ability to sing Buddhist hymns with such deep emotion while maintaining his own identity served as a powerful symbol of unity in Sri Lanka. Ama Shanthiye Sewanalle Mohidin Beg
Despite being a Muslim of Indian descent, Baig became the most famous voice for Buddhist devotional songs ( Bhakthi Gee ) in Sri Lanka.
12 Dec 2020 — Key: G minor | Beat: 4/4. View all songs from Mohideen Beg. CHORUS Gm F /Bb. VERSE 1 Gm F මලේහී Sinhala song book · Sri Naanissara Born into a family of artistic inclinations, Ama
Ama Shanthiye Sewanalle Mohidin Beg's commitment to social service and philanthropy is another testament to his visionary leadership. He was deeply invested in initiatives aimed at education, healthcare, and community empowerment, recognizing the transformative potential of these sectors in shaping a more equitable society. Through his tireless efforts, he inspired countless individuals to join him in his mission to create a more just and compassionate world.
: His legacy is still actively protected by his family; in 2025, his son Ishak Baig successfully filed for a court injunction to protect the intellectual property rights of his father's recordings. Popular Buddhist Songs by Mohideen Baig Mohideen Baig occupies a unique place in Sri
For the coastal Moor communities of Sri Lanka, his songs became lullabies of the spirit — sung at mauloods (birthday celebrations of the Prophet) and in quiet evening zikr circles. Unlike formal qasidas, Beg’s words carried the raw ache of a child resting its head on a mother’s lap: “ Shanthiye thaye... un midiyil thookam varum ” (O mother peace… on your lap sleep comes).